THE SADIST a.k.a. PROFILE OF TERROR a.k.a. SWEET BABY CHARLIE (1963)

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The Sadist (also known as Profile of Terror and Sweet Baby Charlie) is a 1963 black-and-white exploitation film written and directed by James Landis, and stars Arch Hall, Jr. The film was distributed by Fairway International Pictures of the United States and Prima Film of Canada.

The film is loosely based on the killing spree of Charles Starkweather, upon which the films Badlands and Natural Born Killers were also based. It was shot by famed cinematographer Vilmos Zsigmond over a period of 2 weeks for $33,000 with a cast of five, one of whom doubled as the film's production manager. It was Zsigmond's first full length film as a director of photography, and he is credited as "William Zsigmond."

The film is a favorite of director Joe Dante, who owns the 35mm print that has been the source for many of the DVD releases of this film.

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Three people driving into Los Angeles for a Dodgers game have car trouble and pull off into an old wrecking yard where they are held at bay by a bloodthirsty psycho and his crazy girlfriend.

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SPIDER BABY OR, THE MADDEST STORY EVER TOLD (1967)

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Spider Baby is a 1967 black comedy horror film, written and directed by Jack Hill. It stars Lon Chaney, Jr. as Bruno, the chauffeur and caretaker of three orphaned siblings who suffer from "Merrye Syndrome", which causes them to mentally, socially, and physically regress backwards down the evolutionary ladder starting in early puberty. Sid Haig, Jill Banner, Carol Ohmart, Quinn Redeker, Mary Mitchel, and Karl Schanzer also star

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In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer arrive to dispossess the family of its home.

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CRIES IN THE NIGHT a.k.a. FUNERAL HOME (1980)

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Cries in the Night (also known as Funeral Home) is a 1980 Canadian horror/thriller directed by William Fruet, starring Lesleh Donaldson, Kay Hawthrey, Jack Van Evera, Alf Humpreys, and Harvey Atkin.

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A young woman arrives at her grandmother's house, which used to be a funeral home, to help her grandmother turn the place into a bed-and-breakfast inn. But soon after they open, guests begin to either disappear and/or turn up dead.

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ALICE SWEET ALICE a.k.a. COMMUNION (1976)

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Alice, Sweet Alice (also known as Communion or Holy Terror) is a 1976 American slasher film co-written and directed by Alfred Sole, and starring Linda Miller, Paula Sheppard, and Brooke Shields in her film debut. The narrative focuses on a troubled adolescent girl who becomes a suspect in the brutal murder of her younger sister at her first communion.

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Alice Spages is a rebel and problematic twelve year-old girl that lives with her divorced mother Catherine and her younger sister Karen. Catherine gives more attention to Karen, neglecting her older daughter. During the first communion of Karen, the girl is strangled by a woman dressed with a St. Michael's yellow coat and a mask. Alice takes her place in the line wearing her veil that she claims she had found on the floor and becomes the prime suspect of the police. When Catherine's sister Annie is stabbed on the leg several times, she accuses Alice and the girl is sent to psychological evaluation under the protest of her parents and their friend Father Tom. Alice's father Dominick Spages seeks evidences to prove the innocence of Alice.

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THE DRILLER KILLER (1979)

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The Driller Killer is a 1979 horror film directed by and starring Abel Ferrara. It was on a list of banned so-called "video nasties" in the United Kingdom. The film was banned in the UK from 1984 (due to new censorship laws) until 1999, when a version omitting 54 secs from the head-drilling scene and 2 earlier murders was approved for an 18 (years of age) certificate. The full uncut version was finally passed by the BBFC in November 2002. On 10 June 2010 it was re-released as video on demand (VOD).

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Reno is an artist struggling to survive in NYC. He draws inspiration from scenes of daily street life and occasional random violence. Under pressure to finish his oft-delayed grand masterpiece, his psychotic alter-ego takes over and he begins killing random vagrants to boost his creativity, not quite realizing that it is happening in reality. When an art dealer grimly rejects Reno's finished masterpiece, Reno's mental condition quickly deteriorates.

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NIGHT OF THE LIVING DEAD (1968)

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Night of the Living Dead (a.k.a. Night of the Flesh Eaters; not to be confused with the 2008 movie Night of the Flesh Eaters directed and written by J.R. McGarrity) is a 1968 American independen zombie horror film directed by George A. Romero, starring Duane Jones, Judith O'Dea and Karl Hardman. It premiered on October 1, 1968, and was completed on a US$114,000 budget. The film became a financial success, grossing $12 million domestically and $18 million internationally. It has been a cult classic ever since. Night of the Living Dead was heavily criticized at its release for its explicit gore, but eventually garnered critical acclaim and has been selected by the Library of Congress for preservation in the National Film Registry as a film deemed "culturally, historically or aesthetically significant."

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Chaos descends upon the world as the brains of the recently deceased become inexplicably reanimated, causing the dead to rise and feed on human flesh. Speculation rests on a radiation-covered NASA satellite returning from Venus, but it only remains a speculation. Anyone who dies during the crisis of causes unrelated to brain trauma will return as a flesh-eating zombie, including anyone who has been bitten by a zombie. The only way to destroy the zombies is to destroy the brain. As the catastrophe unfolds, a young woman visiting her father's grave takes refuge in a nearby farmhouse, where she is met by a man who protects her and barricades them inside. They both later discover people hiding in the basement, and they each attempt to cope with the situation. Their only hope rests on getting some gasoline from a nearby pump into a truck that is running on empty, but this requires braving the hordes of ravenous walking corpses outside. When they finally put their plans into action, panic and personal tensions only add to the terror as they try to survive.

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